Why the Creator of ‘Dear White People’ Is Doubling Down on Identity Politics | NYT

For Season 2 of the satirical Netflix comedy, the writer and director Justin Simien wanted to answer one question: “How did we get here?”


Justin Simien, the 35-year-old creator of “Dear White People,” is no stranger to provocation.

The satirical comedy, first a movie and now a Netflix show, revolves around five black students — Sam, Coco, Troy, Lionel and Reggie — at a fictional elite university who revel in the sorts of intemperate and intoxicating polemics that can sour a Thanksgiving dinner. A story line from the first season about an app called “Woke or Not,” for example, mercilessly parodied the characters’ self-conscious commitment to social justice.

But even Mr. Simien was not prepared for the controversy that engulfed the TV show’s rollout. After Netflix first released a teaser trailer last February, Mr. Simien was inundated with critical messages online,promoting the hashtag #BoycottNetflix and excoriating him for “reverse racism.”

“I read this review on some conservative site because I was so curious where it all was coming from,” Mr. Simien recalled in an interview at the Netflix offices in Manhattan late last month. “It was like they’d watched the show just enough to give their readers the impression that they’d watched it and then came up with the most insane interpretations. It wasn’t that they didn’t get it, it was that they refused to get it.”

That lesson, and Mr. Simien’s own reaction to the backlash, inspired Season 2 of “Dear White People,” which begins streaming May 4. In addition to online trolls, the show offers up irreverent takes on white allies, the strain of Afrocentric conservatives known as “Hoteps,” and campus free speech, among other hot topics.

Mr. Simien, who speaks in paragraphs and variously quoted Malcolm X, Eckhart Tolle and RuPaul, discussed why the new season never mentions President Trump by name, what black auteurs owe to their audiences and his upcoming horror film about a (literal) killer weave.

“Any chance you get as a storyteller to make people see something that they never saw before, or to think in a new way — that’s the job,” he said. These are edited excerpts from the conversation.

There was some controversy over the title of the show last season, and this season the Sam character, who hosts a radio show within the show, also called “Dear White People,” deals with her own similar controversy. How did you digest all of the feedback from Season 1?

The backlash stuff was really interesting to me. They were so organized and they didn’t just come after us, they came after anything black — there were campaigns against “Black Panther,” too. I was so curious about it and I did a deep dive and started to try to figure out what were the tactics that they used and how were they so mobilized.

The other big thing that informed this season was that Trump won on the day we wrapped Season 1. And I was just so bewildered by how we got here. I started to really research and not just assume that I knew. I read a book called “The History of White People,” about all of the cultural decisions that led to the creation of the white race and why white is the ideal form of beauty, and it’s so arbitrary. I realized that the reason we can’t talk to each other is because people don’t know where this all comes from. So this season has a lot of history on its mind, too.

When you’re investigating those questions on the show, do you worry that white people will just choose not to engage?

I think the key to the show is making you care about the characters first, because it’s not a thesis. And if we tell the truth about what they’re going through, then maybe you’ll care and think about it.

I think the show has two goals. One is to allow people who don’t necessarily look like us to see themselves in characters they don’t expect to, so that the next time they see a black guy at Starbucks, they won’t feel the need to call the cops on him.

And the other thing is to make people who’ve actually gone through these experiences go: “Oh my God, totally. I’m so glad someone finally put it that way.” I think both of those things allow black folks to feel more human in society.

Source: Why the Creator of ‘Dear White People’ Is Doubling Down on Identity Politics

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